Archaeologists working in Egypt have discovered a remarkable combination of Homeric epic and Egyptian ritual: a 2,000-year-old mummy with a papyrus fragment of the “Iliad” sealed in a clay packet outside its wrappings.
It is the first time a literary work has been found playing a functional, spiritual role in the mummification process. And it suggests that for a Roman-era Egyptian, the “Iliad” — specifically some lines from Book 2’s “Catalogue of Ships” — was perhaps as crucial for navigating the afterlife as a magical spell.
“The find is incredibly significant, primarily for the discovery of such a papyrus with Greek literary text in its original context,” said Foy Scalf, an Egyptologist at the University of Chicago. “We have evidence that such Greek literary texts could be used as magical amulets and that Homer was frequently cited in such amulets, as well as in the large handbooks now known as ‘The Greco-Egyptian Formularies.’ The new find directly supports that indirect knowledge.”
The mummy, a nonroyal male, was unearthed by the Mission of the University of Barcelona at a burial site known as Oxyrhynchus, as part of a project directed by Ignasi-Xavier Adiego of the university’s Institute of Ancient Near East. Leah Mascia, a specialist in the written and material culture of Greco-Roman and Late Antique Egypt at the Free University of Berlin, coordinated the collaborative breakthrough that finally brought the damaged text to light.
Recognizing that the heavily degraded papyrus required careful analysis, Dr. Mascia worked with a conservator, Margalida Munar, to stabilize the artifact, and Dr. Adiego, an authority on the Carian language, to study the text. Together, their combined expertise in preservation and linguistics allowed them to identify and read the document.
After six years of painstakingly reconstructing tomb fragments, Dr. Mascia uncovered a rare moment of cultural alchemy: Roman Egypt, where foreign and local customs merged. Her analysis, which identified embalmer seals and folding patterns of the papyrus packet, suggests that classical Greek epics were not merely read but physically repurposed.
Traditionally, mummified bodies were buried with sepulchral texts like the “Book of the Dead” and “The Book of Breathing,” formulaic manuals intended to protect and guide the deceased through the underworld. Yet, by the early Roman period, a major shift emerged: the introduction of sealed papyrus packets placed upon the dead.
These new packets contained a surprising mix of texts, including Greco-Egyptian magic, documentary records and even literary works like the “Iliad,” indicating a personalized, alternative funerary practice.
Out of the dumps
The Oxyrhynchus necropolis, located near the modern village of El-Bahnasa about 120 miles south of Cairo, is not just a burial site but an archaeological mother lode. Located on the banks of the Bahr Yussef canal, the area is speckled with ancient garbage dumps that managed to preserve everything from wedding invitations and tax records to horoscopes and early Christian gospels.
The ruins of Oxyrhynchus were initially documented by Vivant Denon, a scholar during Napoleon’s 1798 Egyptian campaign. But they held a secret that remained buried for an additional century, until 1896, when British archaeologists dug up more than 400,000 fragments of papyri from the ancient trash heaps. The discoveries ultimately included lost masterworks by poets and playwrights like Sappho and Euripides, transforming millenniums-old refuse into a cornerstone of classical literature.
In the 1990s, the Mission of the University of Barcelona and the University of Cairo began a joint project largely funded by the Spanish Ministry of Culture and the Egyptian Ministry of Tourism and Antiquities. This ongoing mission, directed by Maite Mascort i Roca and Esther Pons Mellado and staffed by archaeologists, epigraphists and papyrologists, focuses on various sectors of the necropolis, including No. 22, where experts are reconstructing the elaborate social and religious life of residents during the transition from the Ptolemaic to the Roman era.
Researchers exploring the multichambered burial site have exhumed a remarkable trove of treasures, among them mummies adorned with golden tongues — gold foil placed over the mouth — and at least one with copper, ritualistic additions that may have ensured that the dead could confidently speak their case to Osiris, the god of death and resurrection, before judgment.
A separate, distinct area of the necropolis — Sector 42 — has yielded large jars containing cremated remains. One vessel held the bones of an adult, an infant and a feline, along with fabric fragments. While these individuals most likely date to a slightly different period from the “Iliad” mummy, the immense complexity of these rites implies a wealthy, status-conscious class, providing fresh insight into the spiritual anxieties of the Roman-era community.
A cultural passport
Recovered in December from Tomb 65, the fragmentary papyrus packet contains a passage from the 2,800-year-old “Iliad” that functions as a detailed inventory of the Achaean army’s naval strength and regional origins, describing the forces arrayed against Troy to retrieve Helen. The text mentions specific commanders, such as Guneus, who arrived with “two and twenty ships from Cyphus,” and Tlepolemus, a “son of Hercules” who brought nine ships from Rhodes.
Dr. Mascia’s findings reveal a deliberate, intimate act: a document prepared in a mummification workshop and placed directly upon the body of the deceased. “These sealed papyrus packets may have been regarded as part of an alternative funerary procedure,” she said, adding that further studies were essential to prove this hypothesis.
This spiritual first-aid follows a long tradition. Dr. Scalf noted that “The Greco-Egyptian Formularies” even suggests the “Iliad” doubled as a literal medical kit. For a bed-bound patient shivering with malaria, the prescription was simple: Brace your head against a papyrus scroll of Book 4 to break the fever.
For residents navigating the complex, vibrant crossroads of Roman Egypt, Greek literary papyri may have functioned as a crucial cultural passport, said Anna Dolganov, a historian at the Austrian Archaeological Institute. In Egypt, being Hellenic connoted an exclusive social status and financial privilege — and had to be meticulously documented through genealogies going back across several centuries.
Buried with the dead, the “Iliad” perhaps served as a cheat code for a more comfortable afterlife. Dr. Dolganov wonders if carrying the epic poem was a deliberate strategy to secure entry into the Greek underworld, effectively sidestepping the torturous trials of Egyptian mythology. For these individuals, a Hellenic identity wasn’t just for this world — it was an eternal upgrade, offering a smoother path and higher status in the great beyond.
